Toro Y Moi Anything In Return


Jan 22nd, 2013

Since his first offerings began making the Internet rounds in 2009, Toro Y Moi’s Chaz Bundick has proven himself to be not just a prolific musician, but a diverse one as well, letting each successive release broaden the scope of his oeuvre. The funky psych-pop of 2011’s Underneath the Pine evinced an artist who could create similar atmospheres even without the aid of source material and drum machines. His Freaking Out EP, a handful of singles and remixes, and a retrospective box-set plot points all along the producer-songwriter spectrum in which he’s worked since his debut, and his third full-length, Anything In Return, sees him poised directly in the middle of the two.

The product of a move from South Carolina to Berkeley, CA and the subsequent extended separation from loved ones, Toro Y Moi’s third full-length, Anything in Return, puts Chaz Bundick right in the middle of the producer/songwriter dichotomy that his first two albums established. There’s a pervasive sense of peace with his tendency to dabble in both sides of the modern music-making spectrum, and he sounds comfortable engaging in intuitive pop production and putting forth the impression of unmediated id. The producer’s hand is prominent—not least in the sampled “yeah”s and “uh”s that give the album a hip-hop-indebted confidence—and many of the songs feature the 4/4 beats and deftly employed effects usually associated with house music. Tracks like “High Living” and “Day One” show a considerably Californian influence, their languid funk redolent of a West Coast temperament, and elsewhere—not least on lead single, “So Many Details”—the record plays with darker atmospheres than we’re used to hearing from Toro Y Moi. Sounding quite assured in what some may call this songwriter’s return to producerhood, Anything in Return is Bundick uninhibited by issues of genre, an album that feels like the artist’s essence.


1. Harm in Change
2. Say That
3. So Many Details
4. Rose Quartz
5. Touch
6. Cola
7. Studies
8. High Living
9. Grown Up Calls
10. Cake
11. Day One
12. Never Matter
13. How’s It Wrong


Other Info

North America: 
South America:

•    North American Publicity by Grandstand
•    College Radio Promotion by Terrorbird
•    AAA/Non-Commercial Radio by Distiller
•    Commercial Radio by UNCLE Promo
•    Several Summer 2013 festival dates including Pitchfork and Sasquatch
•    Extensive Fall 2013 North American tour
•    Music videos for Say That”, “So Many Details” and “Never Matter

Toro Y Moi Facebook
Toro Y Moi Twitter

LP: 677517007718
CD: 677517007725
Digital: 677517007756

Press Photos

Photos by Andrew Paynter:
(click for hi-res image)

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Photo by Patrick Jeffords:
(click for hi-res image)


Artist Bio

Born and raised in Columbia, South Carolina, Chaz Bundick has been actively involved in music going back to his early teenage years playing in punk and indie rock bands. Bundick unveiled his Toro Y Moi guise in 2001, in which he began incorporating electronics and channeling a wider swath of stylistic influences – from indie rock and ‘60s baroque pop to ‘80s R&B, French house and underground hip-hop – into his own solo music. By the time he graduated from the University of South Carolina in 2009 with a BA in graphic design, Bundick had refined Toro Y Moi into a truly unique, captivating project, with numerous music magazines and blogs touting his hazy recordings as the sound of summer. His Carpark-released debut album, Causers of This, would follow in early 2010 and garnered high praise in many publications including NME and Pitchfork.

Bundick has proven himself to be as prolific as he is diverse with his subsequent records, always pointing Toro Y Moi in new directions while never sacrificing his melodic sensibility or keen ear for arrangements and texture. With 2011’s Underneath the Pine, he delivered a set of motorik space-age funk, trading the smeared production of Causers of This for a more crystalline sound that was still steeped in atmosphere, even without the aid of source material and drum machines. Toro Y Moi’s Freaking Out EP, which came out later that year, brought ‘80s-inspired R&B, freestyle, and quiet storm soul into the 21st century via its shimmering digital sheen, and set the stage for 2013’s introspective Anything in Return, which effortlessly glided between smoky 4/4 house-tinged pop, electro-funk and late-night electronic soul.

Toro Y Moi’s new album, What For?, was written and recorded over the course of eight months at his home studio in Berkeley, CA, with Bundick’s meticulous production capturing the feel of a rock band playing together in the same room. Stereo-panned guitars sit high in the mix next to buzzing synthesizers, funky keys and live drumming, with members of his touring group as well as guest musicians like Unknown Mortal Orchestra’s Ruban Nielson and multi-instrumentalist Julian Lynch all contributing to the sessions. While Bundick cites Big Star, Talking Heads and Todd Rundgren, as well as the psychedelic soul of Brazilian legend Tim Maia and the ‘70s-era jazz-funk of France’s Cortex, as some of the inspirations behind What For?, these names just act as signposts dotting Toro Y Moi’s vivid musical landscape. Even as this may be his most direct outing to date, the nostalgia and reflective essence of these songs remain very much his own.

“I’ve done electronic R&B and more traditional recorded type R&B stuff. I just wanted to see what else was out there,” Bundick says in describing the direction of the new album. “It’s all coming from the same mindset and point of creativity. It’s just me trying to take what I already have, and then taking it further.”