TEEN In Limbo


Aug 28th, 2012

Brooklyn’s TEEN came together when Teeny Lieberson, formerly of Here We Go Magic, left her post in the latter band in order to make music with her sisters Katherine and Lizzie and their longtime friends Jane Herships and former member Maia Ibar. Forgoing girl-group gimmickry and fervor, the band’s digital-only debut EP, Little Doods, fleshed out a sound of languid, lo-fi psyche pop redolent of Paisley Underground bands like Opal and Rain Parade. Since releasing the EP in April 2011, they have steadily honed their sound around New York and readied their first long-player, In Limbo.

Recorded during the summer of 2011 in a converted barn in rural Connecticut, In Limbo puts pop and tribal elements to the fore. Opener “Better” is a Suicide-esque march toward euphoria through repetition. “Sleep in Noise” comes on like a neo-psychedelic tribal stomp with a Spector-esque drive, while “Unable,” an all-but-shapeless mass of organ swells and tremolo synths provides a loose structure for their transcendent vocal acrobatics. The density and layers of the band’s morphing keyboards, driving synths and jungle drums let their finely arranged vocals sit gloriously on top, each member’s contribution shining through.

In Limbo was mixed and produced in collaboration with Sonic Boom (Spacemen 3, Spectrum). His influence and guidance is subtly evident throughout, adding sympathetic undertones and ambience to the band’s well defined and inspiring songs.


1. Better
2. Come Back
3. Charlie
4. Electric
5. Huh
6. In Limbo
7. Sleep Is Noise
8. Unable
9. Why Why Why
10. Roses & Wine
11. Fire


Other Info

Press Photos

Artist Bio

TEEN’s second album, 2014’s The Way and Color, was a stunning creative breakthrough. Singer and multi-instrumentalist Teeny Lieberson’s voice is starkly highlighted, but the whole record is a conversation between her; Katherine Lieberson’s crafty, minimalist drumming; Boshra AlSaadi’s lithe, sinuous bass lines; and Lizzie Lieberson’s irresistible synth hooks. Now the group is back with its strongest release to date: the third full-length of their discography, Love Yes.

Born out of a creative process that included a dismal winter workshopping in Woodstock, a writing renaissance for lead-singer Teeny Lieberson in Kentucky, and a triumphant return to home in Nova Scotia to record, Love Yes is a lush, bold new creation that builds upon the group’s previous efforts and takes off.

On the album cover, the quartet is bejeweled in crystals and bathed in Venusian red. This red is the color of vitality and pulsing life—unmistakable traits of Love Yes. It is the iconic red of Dorothy’s slippers and Eve’s apple—potent with society’s tales and notions of innocence lost. In Love Yes, something else more mysterious and tender is gained.

TEEN was founded in 2010 by lead-singer and multi-instrumentalist Teeny Lieberson (Here We Go Magic). She self-recorded and self-released the beguiling lo-fi Little Doods LP the following year, then formed a band that included sisters Katherine and Lizzie, and signed to Carpark for 2012’s In Limbo. Produced by Sonic Boom (Spectrum, Spacemen 3), In Limbo encompasses everything in between sprawling, ethereal ballads and trancey but kinetic pop. Rolling Stone listed its opening track “Better” as one of the “50 Best Songs of 2012.” The Carolina EP followed in 2013 and was even more varied and accomplished; the band was growing by breathtaking leaps and bounds. TEEN’s second full-length, The Way and Color, mixes the band’s melodic psych with the sound of post-millennial R&B. The LP has its share of darkness—fear, regret, and loss are all in the picture—but it’s always redeemed by the sheer soulfulness and powerful ingenuity of the music. The album is a reflection on the aggressive times we live in, one that often lacks selflessness. TEEN’s response is one that uplifts and brings a sense of happiness and joy. Love Yes continues this communication, this time exploring the disharmony and empowerment that both sexuality and spirituality can create within the modern woman’s psyche. Universal ideas of loyalty, pleasure, purity, power, aging, and love are confronted with a knowable specificity. There is a quality of wholesomeness, but also an edge—a kind of wise anger and electricity.