Speedy Ortiz Twerp Verse

CAK126

Apr 27th, 2018

“Necessary brattiness” is the motto for Speedy Ortiz’s dauntless new collection of songs, Twerp Verse. The follow-up to 2015’s Foil Deer, the band’s latest indie rock missive is prompted by a tidal wave of voices, no longer silent on the hurt they’ve endured from society’s margins. But like many of these truth-tellers, songwriter, guitarist and singer Sadie Dupuis scales the careful line between what she calls being “outrageous and practical” in order to be heard at all.

“You need to employ a self-preservational sense of humor to speak truth in an increasingly baffling world,” says Dupuis. “I call it a ‘twerp verse’ when a musician guests on a track and says something totally outlandish – like a Lil Wayne verse – but it becomes the most crucial part. This record is our own twerp verse, for those instances when you desperately need to stand up and show your teeth.”

Twerp Verse was tracked in Brooklyn DIY space Silent Barn, mixed by Omaha legend Mike Mogis (Bright Eyes, Rilo Kiley) and mastered by Grammy-nominated engineer Emily Lazar (Sia, Haim, Beck). The record pulls from the most elastic pop moments in Squeeze’s Argybargy and the seesawing synth-rock of Deerhoof and the Rentals. With Dupuis on guitars, vocals, and synths, supporting guitarist Andy Molholt (of psych pop outfit Laser Background) now joins Speedy veterans Darl Ferm on bass and Mike Falcone on drums – and together they accelerate the band’s idiosyncrasy through the wilderness of Dupuis’ heady reflections on sex, lies and audiotape.

Dupuis, who both earned an MFA in poetry and taught at UMass Amherst, propels the band’s brain-teasing melodies with her serpentine wit. Inspired by the cutting observations of Eve Babitz, Aline Crumb’s biting memoirs, and the acute humor of AstroPoet Dorothea Lasky, Dupuis craftily navigates the danger zone that is building intimacy and political allyship in 2018. Now as public pushback against the old guards reaches a fever pitch – in the White House, Hollywood and beyond – the band fires shots in disillusioned Gen Y theme “Lucky 88,” and casts a side-eye towards suitors-turned-monsters in the cold-blooded single “Villain.” Closing track “You Hate The Title” is a slinky traipse through the banality of this current moment in patriarchy – in which survivors are given the mic, but nitpicked over the timbre of their testimonies. “You hate the title, but you’re digging the song,” Dupuis sings wryly, “You like it in theory, but it’s rubbing you wrong.” Tuned smartly to the political opacity of the present, Twerp Verse rings clear as a bell.

Tracklisting

1. Buck Me Off
2. Lean In When I Suffer
3. Lucky 88
4. Can I Kiss You?
5. Backslidin’
6. Villain
7. I’m Blessed
8. Sport Death
9. Alone with Girls
10. Moving In
11. You Hate The Title

Audio

Other Info

PRESS CONTACTS
North America: jaclynu@grandstandhq.com
Europe: caroline@yesplease.fm
Japan: keita@hostess.co.jp
Australia & New Zealand: andy@stopstartmusic.com
Taiwan: joseph@hinote.com.tw
Brazil: marcoskilzer@coqueiroverderecords.com.br

TWERP VERSE
• Publicity by Motormouth Media
• College/Non-Commercial/Specialty radio by Terrorbird
• Specialty radio by Dauntless
• AAA radio by Insubordinate
• Limited pink colored vinyl with rainbow splatter
• Limited LP includes bonus 7″ with two exclusive songs
• Mastered by Emily Lazar (Foo Fighters, Haim, Angel Olsen, Braids, Beck, Title Fight)
• “Lucky 88” and “Lean In When I Suffer” music videos in the works
• Select dates around release date followed by full North American tour
• Vinyl includes free digital download

UPCs
Limited LP: 677517012644
Regular LP: 677517012613
CD: 677517012620
Cassette: 677517012637
Digital: 677517012651

Press Photos

Hi-Res TIFF album art:

Photos by: Shervin Lainez


Artist Bio

Speedy Ortiz has established itself as one of this decade’s most vibrant bands since their 2012 debut EP Sports. That EP introduced listeners to the band’s constant study of contrasts, with vocalist and guitarist Sadie Dupuis’ gnarled riffs acting as both counterpoint to and bolsterer of her acerbic, conversational poetry. 2013’s Major Arcana went further, the members’ reflexive chemistry inspiring them to push the limits of their sound; propelled by the rhythm section of Darl Ferm (bass) and Michael Falcone (drums), their first full-length chugged along with a swaggering gusto that could command a sweaty Boston basement as easily as a festival stage, leading to touring with legends of the “alternative” boom like The Breeders, Mary Timony (Ex Hex, Helium) and Stephen Malkmus & The Jicks. 2015’s Foil Deer added headphone-ready detailing to the already clamorous mix, with worldwide headlining dates on which they were supported by modern-day best-new-music makers like Mitski, Alex G, and Downtown Boys. Their no-nonsense approach to progress, as evidenced by initiatives like their first of its kind in-concert “help hotline,” and Dupuis’ tackling of issues like bystander intervention and inclusivity in the music industry—in her lyrics, and as a frequent panelist and speaker—makes the band poised to surge into the future.

Twerp Verse, Speedy’s third album and first with Philadelphian Andy Molholt (Laser Background) on second guitar, is urgent and taut, adding surprising textures like Linn drums and whirled guitar processing to their off-kilter hooks. Dupuis, whose electropop solo project Sad13 debuted in 2016 shortly after her own move to Philadelphia, has become more instinctive in her songwriting—her home-recorded demos mirror Twerp Verse‘s songs in a closer way than any other Speedy record—while her lyrics have become more pointedly witty. The band’s camaraderie and crate-digging is evident, with diffuse reference points like Squeeze, Hop Along, Prince, Paramore, and Brenda Lee being sucked into the band’s chaos. Even when Dupuis sings of alienation and political weariness, the pop maelstrom swirling around her provides a defiantly charged, mussed-but-hooky optimism.