Various Artists Wanna Buy A Craprak?

CPRK23

Jan 21st, 2003

Wanna buy a what? Wanna buy a craprak? You may be asking yourself one or both of these questions right now. Ah but to know the answer is to ask the question. No matter. The first Carpark compilation is here!

Wanna Buy a Craprak? is a unique multimedia cd sampler selling at a special low price. That will make everyone’s wallet very happy. Wanna Buy A Craprak? contains 13 audio tracks and 4 videos from all of your favorite Carpark artists (such as Marumari, Greg Davis, Kit Clayton, Safety Scissors, Kid606, Dinky, Ogurusu Norihide, and Signer). Many of the tracks are taken from future and past Carpark releases, some are exclusive (Jake Mandell, Freescha, Takagi Masakatsu, Hrvatski, and 242pilots).

Now is your chance to find out what Carpark is all about. Wanna Buy a Craprak?

Tracklisting

Greg Davis – Brocade (from upcoming full length)

Safety Scissors vs. Kit Clayton – 17-11 (from “the ping pong ep”)

Marumari – Saka (taken from their out-of-print 1st CD “story of the heavens”)

So Takahashi – Blue, Blue, Electronic Blue (exclusive track)

Ogurusu Norihide – 5:00 (from upcoming “modern”)

Dinky – No Love (from upcoming “black cabaret”)

Freescha – Live and Learn Me (exclusive track)

Casino Versus Japan – Aquarium (from “whole numbers play the basics”)

Kid606 – If My Heart Ever Ran Away It Would Be Looking For The Day When Right Beside You It Could Forever Stay (from “the soccergirl ep”)

Takagi Masakatsu – Golden Town with Sunglasses (exclusive track)

Hrvatski – Equinox (exclusive track)

Signer – Interior Dub (from “low light dreams”)

Jake Mandell – Beartrap! (exclusive track)
plus videos

242pilots – Live at Taklos (exclusive)

Marumari – Way in the Middle of the Air (exclusive)

Jake Mandell – The Prince and the Palm (from “love songs for machines”)

Takagi Masakatsu – I’m singing, I’m singing a Song (exclusive)

Other Info

Press Photos

Artist Bio

On Nubu:

Lotus Magazine – (spring 2000) The debut album by Yokohama native/New York resident So Takahashi sounds a bit like a compilation of different artists—and that’s a compliment. While some techno experimentalists spend entire recordings obsessing on a single stylistic theme—often yielding tedious results—Takahashi employs a nice range of moods and timbres, making Nubus a continually intriguing and surprising listen. While this variety will no doubt lure listeners back again and again, it’s Takahashi’s unique, minimalistic melodicism and deft production that will capture their attention in the first place. Combining elements of Coil, Autechre, Hafler Trio and countless others, Takahashi’s palette covers everything from nouveau ambience to noise deconstruction, 1970s experimental film music and techno bleepiness. If the artist’s masterful sample manipulation and sparkling use of found sounds are the building blocks of his work, it’s his outstanding sense of pacing and composition that holds it all together. We may very well be following So Takahashi’s work for decades to come, so jump aboard now.

Lotus rating: 8

— Al Ritchie

On 30/30:

inaudible.com A cool release of constantly evolving experimental electronica that shifts back and forth from raster-noton-style or ryoji ikeda-style minimalism to a denser electronica sound then eventually to a more percussive experimental techno sound in one long track. Another solid experimental release from So Takahashi. Fans of Nobuzku Takemura, Ryoji Ikeda, Terre Thaemlitz, Taylor Deupree, Frank Bretschneider, and Noto should give this one a listen.

— Lance

Bevan Smith was born in New Plymouth in 1974. He has been recording and releasing music as Aspen and Signer since 1998. His earliest releases were on his own label Involve, but his music he been sought after and released by many international labels. At present Signer is released on Carpark records US, home of Dan Deacon, Panda Bear, Beach House. He has toured many times throughout Europe, UK and the US. He has composed for TV, Adverts, Theatre and FIlm most notably the Bafta winning ‘Touching the Void’ in 2004.

As well as working on solo projects Bevan has also written and produced albums with several bands. He worked on two albums with Nik Brinkman as ‘Over the Atlantic’ and on three albums with Matthew Mitchell as Skallander. Skallander were signed to UK based label Type records in 2006. At present he plays in Skallander and The Ruby Suns who release on Sub Pop.

In the late ’90s, San Francisco’s electronic music scene began to gain attention and grow through releases on Belief-Systems, internet broadcasters such as Beta-Lounge, and the electronic-based magazine XL8TR. With a strong group of artists such as Kit Clayton and Mark Farina, the Bay Area developed a reputation for producing a wide range of talented electronic artists — part of this camp is Matthew Patterson Curry, artistically known as Safety Scissors. Described as a more upbeat and eclectic minimalist dub sound, Curry has recorded for the labels Force Tracks, Context, Plug Research, and Beta Bodega. Often adding his own unpolished vocals and sampled additions, Curry has grown into his own identity amongst the Belief-Systems collective.

Curry is originally from Minneapolis, MN, and relocated to the San Francisco area to have a short stint in art school. Deciding to focus more on music, Curry eventually joined the Belief Systems/Context Records collective. A part of a distinct assembly of artists and musicians, he began working with Kit Clayton, Sutekh, and Twerk. Though he is mostly known for his more offbeat ambient works, he also produced more dance-oriented material for the labels Cytrax and Force Tracks. Curry also performs under the name Moron with Seth Horvitz (Sutekh). In 2000 Curry moved to Berlin, which at the time was a sort of artistic oasis for many electronic producers and artists. The following year Curry released Parts Water on Plug Research.

— Diana Potts, allmusic.com

Photo by Aimee Friberg © 2012

Born august 8, 1977

1st album “humour” 2002/6 release.
2nd album “modern” 2003/3 release.

http://www.boreas.dti.ne.jp/~ogurusu

1979
Born in Kyoto.

1999
Start sound and image project “SILICOM” with AOKI takamasa (sound).

2001 Jan.
Release SILICOM DVD from PROGRESSIVE FOrM in Tokyo (1/25).

2001 Aug.
First solo exhibition [pia] curated by Minoru Hatanaka (ICC) (Pepper’s Gallery, Ginza Tokyo)

2001 Oct.
New video and sound installation [JOURNAL FOR PEOPLE] (art space ‘Zone’, Roppongi, Tokyo)
Release solo album [ pia / takagi masakatsu] (audio CD and video CD-ROM) from Carpark(NY)
Touring among 12 cities in US and Canada for live performance

2001 Nov.
Live performance at “7th Istanbul Biennial” closing event

2002 May
Release audio CD and DVD [opus pia] from Carpark, NY.

2002.Apr.
Commission work for NHK TV program [Encounter the Beauty] opening video and music, and on air for one year

2002 June
Release audio CD and LP [eating] from Karaoke kalk, Germany

2002 July
[JOURNAL FOR PEOPLE] CD/DVD will be released from daisyworld discs/ cutting edge
[Image Garden-Inspired by Derek Jarman’s films] compilation DVD by three video artists released from UPLINK

2002 Aug.
New video installation [ light park ] shown at Mito Contemporary Art Gallery (10 Aug. – 23 Sep.).
Video and sound works collaborating with ‘Agnes b.’ developed at Agnes B.’s shops in Japan (22 Aug. – 31 Oct.).

2002 Oct.
Participate in the opening event at the new art center “Esplanade” in Singapore.

2002 Nov.
Live performance tour among Europe including 8 nations, 18 cities.

2003 Jan.
Video installation [ world is so beautiful ] at Tokyo Metropolitan Museum of Contemporary Art (11 Jan. – 23 Mar.)