The Beths Future Me Hates Me

CAK128

Aug 10th, 2018

The Beths occupy a warm, energetic sonic space between joyful hooks, sun-soaked harmonies, and acerbic lyrics. Their debut album Future Me Hates Me, forthcoming on Carpark Records, delivers an astonishment of roadtrip-ready pleasures, each song hitting your ears with an exhilarating endorphin rush like the first time you heard Slanted and Enchanted or “Cannonball.”

Front and center on these ten infectious tracks is lead singer and primary songwriter Elizabeth Stokes. Stokes has previously worked in other genres within Auckland’s rich and varied music scene, recently playing in a folk outfit, but it was in exploring the angst-ridden sounds of her youth that she found her place. “Fronting this kind of band was a new experience for me,” says Stokes. “I never thought I had the right voice for it.”

From the irresistible title track to future singles “Happy Unhappy” and “You Wouldn’t Like Me,” Stokes commands a vocal range that spans from the brash confidence of Joan Jett to the disarming vulnerability of Jenny Lewis. Further honeying Future Me Hates Me’s dark lyrics that explore complex topics like being newly alone and the self-defeating anticipation of impending regret, ecstatic vocal harmonies bubble up like in the greatest pop and R+B of the ‘60s, while inverting the trope of the “sad dude singer accompanied by a homogenous girl-sound.”

All four members of The Beths studied jazz at university, resulting in a toolkit of deft instrumental chops and tricked-out arrangements that operate on a level rarely found in guitar-pop. Beths guitarist and studio guru Jonathan Pearce (whose other acts as producer include recent Captured Tracks signing Wax Chattels) brings it all home with an approach that’s equal parts seasoned perfectionist and D.I.Y.

“There’s a lot of sad sincerity in the lyrics,” she continues, “that relies on the music having a light heart and sense of humor to keep it from being too earnest.” Channeling their stew of personal-canon heroes while drawing inspiration from contemporaries like Alvvays and Courtney Barnett, The Beths serve up deeply emotional lyrics packaged within heavenly sounds that delight in probing the limits of the pop form. “That’s another New Zealand thing,” Stokes concludes with a laugh. “We’re putting our hearts on our sleeves—and then apologizing for it.” The result is nothing less than one of the standout records of 2018.

Tracklisting

1. Great No One
2. Future Me Hates Me
3. Uptown Girl
4. You Wouldn’t Like Me
5. Not Running
6. Little Death
7. Happy Unhappy
8. River Run: Lvl 1
9. Whatever
10. Less Than Thou

Audio

Other Info

PRESS CONTACTS
North America: patrick@pitchperfectpr.com
Europe: andy@carparkrecords.comjosh@carparkrecords.com
Japan: keita@hostess.co.jp
Brazil: marcoskilzer@coqueiroverderecords.com.br

FUTURE ME HATES BULLET POINTS
• North American publicity by Pitch Perfect
• College/Non-Commercial/Commercial Specialty radio by Terrorbird
• Alt Commercial Radio by ADA
• Limited tangy-yellow colored vinyl
• “Future Me Hates Me,” “Happy Unhappy,” “You Wouldn’t Like Me” music videos in the works
• Select UK/EU May tour dates and North American summer tour dates
• Vinyl includes free digital download

UPCs
LP: 677517012811
CD: 677517012828
Digital: 677517012859

Press Photos

Hi-res TIFF album art:

Photo by: Mason Fairey

Artist Bio

Playing a home show still feels special for The Beths, who have orbited in the fertile music scene of Auckland’s Karangahape Road since they were teenagers.

Lead vocalist and guitarist Elizabeth Stokes, lead guitarist Jonathan Pearce and bassist Benjamin Sinclair began playing shows in 2015, quickly winning over local audiences with a low-key approach that disguises a drive for excellence.

After building a loyal following through live performances and their 2016 EP Warm Blood, The Beths signed to Carpark Records and released debut album Future Me Hates Me in 2018. That album, full of fast riffs, catchy-as-hell hooks and self-deprecating lyrics, catapulted the band straight into a lengthy international tour that saw them support legends like The Pixies and Death Cab For Cutie as well as headlining increasingly large shows of their own. Drummer Tristan Deck, who had played with Pearce on other projects, came on board in 2019 during this wave of touring.

Jump Rope Gazers, released in July 2020, was a slower, yearning follow-up that still fizzes and sparks with pop-punk sensibilities, and was immediately seized on by both fans and music critics as a bright spot during a dark year.

It was named Album of the Year at New Zealand’s national Aotearoa Music Awards in 2020, as well as securing the band awards for Best Group and Best Alternative Artist for the second year running, following the success of Future Me Hates Me at the 2019 awards.

Auckland, New Zealand, 2020 is the band’s first live recording and showcases the infectious energy the band brings to every performance. The accompanying film makes the band’s deep bond clearer than ever, capturing the in-jokes they share with audiences during on-stage banter, and foregrounding their mutual preoccupations with the game of cricket and New Zealand’s native birds.

Stokes is responsible for The Beths’ nuanced lyrics, which reflect the various hues of friendships, relationships and trying to fight against your own worst tendencies. From there, the band workshops each song in Pearce’s Karangahape Road studio, swapping and manipulating parts and building the four-part harmonies that are a distinguishing feature of their sound.

After a southern hemisphere summer spent playing music festivals around New Zealand, new tunes are in the works as the band crafts its third album, which promises to be upbeat and positive: a direct response to a difficult 2020.