Toro y Moi Outer Peace
North America: firstname.lastname@example.org
• North American publicity by Orienteer
• Digital Marketing by Terrorbird
• Limited clear-colored vinyl
• Album features ABRA, WET and Instupendo
• “Freelance” music video out now, more in the works
• North American fall and winter tour dates
• Vinyl includes free digital download
Limited LP: 677517013146
Regular LP: 677517013115
2. Ordinary Pleasure
3. Laws of the Universe
4. Miss Me (feat. ABRA)
5. New House
6. Baby Drive It Down
8. Who I Am
9. Monte Carlo (feat. WET)
10. 50-50 (feat. Instupendo)
adjective:outer, outside; external. “the outer layer of the brain can bruise easily”
synonyms:outside, outermost, outward, exterior, external, surface
“the outer layer” further from the center or inside.
synonyms:outlying, distant, remote, faraway, furthest, peripheral; suburban
“outer areas of the city enduce less anxiety for some”
objective or physical; not subjective.
1. freedom from disturbance; quiet and tranquility.
“music can be a protest of peace”
synonyms:tranquility, calm, restfulness, peace and quiet,
peacefulness, quiet, quietness; More
2. freedom from or the cessation of war or violence.
“my only time of peace is in my car before work”
synonyms:law and order, lawfulness, order, peacefulness, peaceableness,
harmony, nonviolence; formalconcord “searching for peace is hard when technology does that for you”
1. used as a greeting.
2. used as an order to remain silent.
“Nice meeting you. Peace 🙂 -Chaz”
The lives we lead can feel like a simulation as the line between our reality and augmented futures continues to blur. Following the ever-emotive Boo Boo, Toro y Moi’s new album Outer Peace is a time capsule that captures our relationship to contemporary culture into one comprehensive, sonic package.
Shortly after the release of his 2015 record What For?, Toro y Moi (also known as Chaz Bear) packed up his belongings, leaving the comfort of his Oakland base for the relative solitude of Portland to write Boo Boo. Apart from the familiarity of his surroundings, Bear focused on what would become his next sonic statement. In doing so, he was struck by the reign that technology holds over our day to day lives and its ability to obscure the consumption of creativity. His change of environment resulted in freedom from disturbances and, in those quiet and tranquil spaces, the creation of music acted as a protest in favor of peace.
Having now moved back to Oakland, Bear’s new record Outer Peace is a response to the lessons gleaned while making Boo Boo — a response to the expendable state of art that is a product of instant gratification. Bear’s ingenuity reveals a multifaceted expression of his universe on this record. It’s the space between the accessible and unconventional where he invites us to experience Outer Peace, which is rooted in finding peace in antithetical conditions: being stuck in traffic, hustling for your next check as a freelancer and all other chaotic moments in life that require digging beneath the surface to find solace.
As both a producer and designer, Bear utilizes abstract sound pairings with recognizable samples for his most pop influenced record to date. This is no departure from his funk and disco roots, which can be heard on “Ordinary Pleasure”, later fusing into variations of house with tracks like “Freelance” and “Laws of the Universe.” Smooth interludes melt into fast paced beats, paralleling the feeling of driving through the Bay Area, where Bear spent most of his time writing the album.
Outer Peace is duality. It embodies whatever form you choose to inhabit in the moment. Listen and let your imagination become the universe.
Chaz Bear (formerly Bundick) was a musician from birth. Growing up, it was normal to hear music across genres, from Michael Jackson to Elvis Costello to The Specials, in the Bundick household. These influences were quite unique for a biracial kid growing up in South Carolina, contributing to the complexity of Chaz’s self-understanding and expression through his own music.
Chaz began playing and recording original compositions in his preteen years, forming multiple indie bands starting in middle school and continuing until his personal project, Toro y Moi, was signed by Carpark Records in 2009. Before getting signed, he was already an incredibly prolific artist, having released over 10 Toro y Moi albums on his own (and undoubtedly retaining a vast compendium of unreleased songs). His personal work drew upon a vaster array of influences than did his full band. Early Toro work called upon Chaz’s childhood exposure to 80’s R&B, pop and electronic music, while also evolving with his discoveries of acts like My Bloody Valentine and J Dilla and his burgeoning interest in French house. Just before his graduation from the University of South Carolina, where he earned a degree in graphic design, Chaz caught the attention of music bloggers and record labels with his dreamy, bedroom recordings, eventually compiled into his first album under Carpark Records, Causers of This.
Causers was one of a few albums to kick off the trend of home-recorded, hazy albums relying heavily on samples and production, evoking the feeling of a muggy, Southern summer. While the album did well and broke ground for Chaz’s career as a musician, it resulted in the widespread assumption that Chaz was a one trick pony, able only to write music similar to that of Causers. He immediately made it clear that he is an extremely dynamic musician with the 2011 release of Underneath the Pine, an album recorded between tours that was composed entirely of live instrumentation, moving away from the sample-based aesthetic of Causers. From then on, Chaz released an album every other year (sometimes more frequently), each one a display of his adeptness with different genres. While each album was distinct and sometimes a complete departure from the previous, Chaz’s unique production techniques and melodic sensibilities tie them all together. Whether listening to the psych rock-based What For? or 2017’s R&B-influenced Boo Boo, it is always clear that it’s a Toro y Moi album.
The most recent Toro y Moi album, Outer Peace, was written and recorded in the Bay Area after Chaz’s return from a one year stint in Portland. It is somewhat of a homecoming celebration, filled with features by friends and saturated with a playfulness that had not previously been embraced in past Toro albums. Outer Peace stands in contrast to the more sparse and contemplative Boo Boo, an album recorded while in Portland in relative isolation. With Outer Peace, Chaz showcases his ability to remain on the cutting edge of music’s evolution while not taking himself too seriously. There are contemporary hip hop references mixed in with funk, Eurodance and ambient elements, all interwoven expertly and retaining that quintessential Toro y Moi aesthetic.
Only five days after releasing Outer Peace, Chaz posted a photo of a cassette titled “SOUL TRASH V1” on his Instagram with Dropbox link to what appeared to be a mixtape. Later, the post and link were taken down and for the first time, Soul Trash will receive a proper release on October 29th along with a short film by Laneya Billingsley.